Akustiikan laboratorio

Akustiikan ja äänenkäsittelyn väitöskirjat

Tällä sivulla luetellaan akustiikan ja äänenkäsittelytekniikan väitöskirjat, jotka on tehty Aalto-yliopiston akustiikan laboratoriossa. Väitöskirjaan liittyvä tohtorintutkinto on yleensä myönnetty Aalto-yliopiston sähkötekniikan korkeakoulusta tai perustieteiden korkeakoulusta.
  1. Christoph Hold, A parametric spatial audio compression codec for higher-order ambisonics, 2024
  2. Pedro Llado, Auditory-model-based assessment of the effect of head-worn devices on sound localisation, 2024
  3. Vasileios Bountourakis, Spatial audio signal processing for passive sonar applications, 2024
  4. Nils Meyer-Kahlen, Transfer-plausible acoustics for augmented reality, 2024
  5. Georg Götz, Data-driven room-acoustic modelling, 2024
  6. Taeho Kim, Media plane localisation - Psychoacoustics and spatial audio effects, 2024 
  7. Leonardo Fierro, Audio decomposition for time stretching, 2024
  8. Alec Wright, Neural modelling of audio effects, 2023
  9. Leo McCormack, Parametric reproduction of microphone array recordings, 2023
  10. Julie Meyer, Numerical and perceptual evaluations of finite-difference time-domain simulations for room acoustics applications, 2022
  11. Karolina Prawda, Room reverberation prediction and synthesis, 2022
  12. Pablo Pérez Zarazaga, Preserving speech privacy in interactions with ad hoc sensor networks, 2022
  13. Raimundo Gonzalez, Acoustic scattering for spatial audio applications, Aalto-yliopiston perustieteiden korkeakoulu, 2022
  14. Otto Puomio, Parametric analysis and reproduction of indoor acoustic environments, Aalto-yliopiston perustieteiden korkeakoulu, 2021
  15. Henna Tahvanainen, Analysis and perception of the seat-dip effect in concert halls, Aalto-yliopiston perustieteiden korkeakoulu, 2021
  16. Benoit Alary, Analysis and synthesis of directional reverberation, 2021
  17. Henri Pöntynen, Effects of spatial cue dynamics on the perceptual organization of sound, 2021
  18. Juho Liski, Equalizer design for sound reproduction, 2020
  19. Sebastian Prepelita, Verification and validation of wave-based simulations of head-related transfer functions, Aalto-yliopiston perustieteiden korkeakoulu, 2020
  20. Jukka Saarelma, Finite-difference time-domain method for room acoustic simulation – Auralization and applications, Aalto-yliopiston perustieteiden korkeakoulu, 2019
  21. Alessandro Altoè, Using models to deduce the functioning of the mammalian cochlea, 2018

  22. Aki Haapaniemi, Perceptual studies in concert hall acoustics, Aalto-yliopiston perustieteiden korkeakoulu, 2018

  23. Fabián Francisco Esqueda Flores, Aliasing reduction in nonlinear audio signal processing, 2018

  24. Symeon Delikaris-Manias, Parametric spatial audio processing utilising compact microphone arrays, 2017

  25. Javier Gomez Bolanos, Features and applications of the laser-induced spark as a monopole source for acoustic impulse response measurements, 2017

  26. Olli Rummukainen, Reproducing reality: Perception and quality in immersive audiovisual environments, 2016

  27. Archontis Politis, Microphone array processing for parametric spatial audio techniques, 2016

  28. Antti Kuusinen, Multidimensional perception of concert hall acoustics: Studies with the loudspeaker orchestra, 2016

  29. Robert Albrecht, Methods and applications of mobile audio augmented reality, 2016

  30. Olli Santala, Perception and auditory modeling of spatially complex sound scenarios, 2015

  31. Jukka Keränen, Measurement and prediction of the spatial decay of speech in open-plan offices, 2015

  32. Juha Vilkamo, Perceptually motivated time-frequency processing of spatial audio, 2014

  33. Marko Takanen, Functional modeling of hearing for assessment of spatial sound reproduction, 2014

  34. Mikko-Ville Laitinen, Techniques for versatile spatial-audio reproduction in time-frequency domain, 2014

  35. Stefano D’Angelo, Virtual analog modeling of nonlinear musical circuits, 2014

  36. Jussi Rämö, Equalization techniques for headphone listening, 2014

  37. Jussi Pekonen, Filter-based oscillator algorithms for virtual analog synthesis, 2014

  38. Hannes Gamper, Enabling technologies for audio augmented reality systems, 2014

  39. Jukka Ahonen, Microphone front-ends for spatial sound analysis and synthesis with Directional Audio Coding, 2013

  40. Rafael Dias de Paiva, Circuit modeling studies related to guitars and audio processing, 2013

  41. Julian D. Parker, Dispersive systems in musical audio signal processing, 2013

  42. Jari Kleimola, Nonlinear abstract sound synthesis algorithms, 2013

  43. Raine Kajastila, Interaction with eyes-free and gestural interfaces, 2013

  44. Marko Hiipakka, Estimating pressure at the eardrum for binaural reproduction, 2012

  45. Antti Jylhä, Sonic gestures and rhythmic interaction between the human and the computer, 2012

  46. Jukka Pätynen, A virtual symphony orchestra for studies on concert hall acoustics, 2011

  47. Sakari Tervo, Localization and tracing of early acoustic reflections in enclosures, 2011

  48. Heidi-Maria Lehtonen, Analysis, perception, and synthesis of the piano sound, 2010

  49. Gaëtan Lorho, Perceived quality evaluation: An application to sound reproduction over headphones, 2010

  50. Heli Koskinen, Hearing loss among classical musicians: Needs, means and attitudes, 2010

  51. Samuel Siltanen, Efficient physics-based room-acoustics modeling and auralization, 2010

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