Kuulas: Examining the design processes behind the development of a chair prototype with practice-led research methods by Joshua Krute
Through the designing and making of Kuulas – a wooden low chair with textile components, I examine the development processes by which iterative and explorative methods are employed with research tools through a practice-led research framework. The development of woven textiles and the development of the low chair are narrowed with step-by-step process descriptions and reflections thereof. These foretell how research tools were employed to examine the iterative, explorative processes behind the project development, and to convey the decisions emitted towards the form-language of the Kuulas chair, which the name comes from the Finnish meaning: clear or pure. Throughout development stages of the project, communicative tools and form-finding techniques are developed to best examine furniture/textile making and design processes. These studies indicate the importance of documentation and reflection, as they are present in communicating how thinking and making has evolved throughout the project. Furthermore, this thesis examines how an artist-designer can employ his/her experiences and personal histories to develop abstract concepts for design projects.
Through the designing and making of Kuulas – a wooden low chair with textile components, I examine the development processes by which iterative and explorative methods are employed with research tools through a practice-led research framework. The development of woven textiles and the development of the low chair are narrowed with step-by-step process descriptions and reflections thereof. These foretell how research tools were employed to examine the iterative, explorative processes behind the project development, and to convey the decisions emitted towards the form-language of the Kuulas chair, which the name comes from the Finnish meaning: clear or pure. Throughout development stages of the project, communicative tools and form-finding techniques are developed to best examine furniture/textile making and design processes. These studies indicate the importance of documentation and reflection, as they are present in communicating how thinking and making has evolved throughout the project. Furthermore, this thesis examines how an artist-designer can employ his/her experiences and personal histories to develop abstract concepts for design projects.
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